Big Bang: Soundscapes
Months ago, Bent Outta Shape's Stray Dog Town rang true with songs about mop buckets and closing up all alone, leaving town and chemical dependencies. It's a record of aimlessness, feeling lost in other people and desperately seeking something because you have nothing else to do.
The Get Up Kid's Four Minute Mile was another constant, right up until I left for Bangladesh. An emo staple of loves lost and disappointment. The most pertinent tracks were "Don't Hate Me," an oddly self-referential number with the lyrics "Oh Amy, don't hate me for running away from you," and "Fall Semester." The latter song struck a loud chord, with words about trying to cope with disappointing others ("Everything I see, everything I do, everywhere I've been, these mean nothing to you?"), since my last days in America were spent on tense terms with my folks.
There's something unsettling about your entire family questioning the very thing that you're about to devote a year and a half of your life to doing.
My parents version of support came in the form of not physically restraining me from leaving, and a departure gift of familial guilt when my mom accused me of not "doing anything for the house" since I moved out.
My brother thought I was overreacting about the guilt trip. "That's just the culture they come from, man."
"That doesn't mean it's right," I argued.
"But can't you see where they're coming from?"
"Of course I can, but they don't even try to understand what I'm doing."
Alan thought for a moment, "You're just having fun though."
My mouth fell open. "You think I do this because it's so fun?" It became apparent that my family assumes that the only reason someone would do work for so little pay is because it's a party.
"Isn't that why you do this?"
I was speechless. The experiences that I've had and will have are fun, but they're also trying and exhausting. Not to mention all that I've left behind to be here. It's fun, but it's also built from sacrifices and nestled in loneliness.
"You have no idea what I'm doing, do you?"
"It's like you can make money, but you just choose not to." Because somehow I'm obligated. If I'm not being compensated, I must be not be doing anything worthwhile. It all circles back to money and my obligation as a child of refugee immigrants to earn it as payback for their hard work.
"Why you gotta help the world before you help them?" Alan asked.
Which brings up the question: Everything I see, everything I do, everywhere I've been, these mean nothing to you?
My parents let up my last night home. They cooked a big feast of a dinner as their passive Asian way of saying "We love you. Goodbye." But it turned out they're actually capable of real sincere goodbyes.
I was at the Bangkok airport, in the middle of a six-hour layover before jetting to Chittagong. We were killing time by leeching free wifi when I caught my brother on chat. He told me that my father turned up to LAX looking for me, to give me some cash and well wishes before I left. To imagine my father, who is barely functionally literate in English, trying to navigate around the labyrinth that is LAX in search of me just broke my heart. He left, disappointed- just as I left disappointed. But now, across vast oceans, we're making amends.
I haven't yet decided what's scoring these present moments. Candidates include M.I.A. (obviously) and Against Me! (not so obvious).
The enormity of all of this has yet to sink in. The Asian University for Women is an amazing venture and our role in its inaugural year at the Access Academy is much more important than we're capable of understanding at this moment. The University is taking care of us beyond our expectations and we're grateful. Even as all of this is beginning to become more and more real, I still have my heart firmly planted in the Pacific Northwest of North America.
A boy, his mix CD, and memories keep me tethered to Portland. Thirty tracks to keep me distracted. Distracted from what? From the enormity of it all.

